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Beneath the surface by gubbfet Beneath the surface in Siargao Island, Philippines.
http://ift.tt/1bpiRMo
Sarah Harvey (b. 1981, London, England) - Swirling Turqoise Bisevo Island, 2009 Paintings: Oil on Canvas
(Source: sarahharvey.co.uk, via red-lipstick)
DOES ANYONE ELSE GET LIKE REALLY HAPPY WHEN SOMEONE LEANS THEIR HEAD ON YOUR SHOULDER AND YOURE LIKE FUCK YEAH IVE BEEN CHOSEN AND YOU FEEL REALLY SPECIAL BUT THEN YOU HAVE TO STAY SO FUCKIBG STILL COS IF YOU MOVE THEYLL STOP LEANING ON YOU AND ITS LIKE NO COME BACK IM SORRRRYUWYY
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Close ups of my latest wood panel painting
Nonchaloir (Repose), 1911. John Singer Sargent (American, 1856-1925). Oil on canvas. National Gallery of Art.
In keeping with his newfound preference for informal figure studies, Sargent depicted Rose–Marie Ormond Michel, his niece, as a languid figure absorbed in poetic reverie. The reclining woman, casually posed in an atmosphere of elegiac calm and consummate luxury, seems the epitome of nonchalance—the painting’s original title.
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A Quiet Corner (c.1905). John White Alexander (American, 1856-1915). Oil on canvas.
This painting is an exceptionally fine example of Alexander’s mature style, demonstrating his penchant for graceful figure compositions in soft atmospheric settings. A Quiet Corner also exemplifies an air of pensive reverie, which is often a key characteristic of Alexander’s paintings.
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Johann Heinrich Tischbein the Elder, The Nine Muses - Urania (Astronomy), 1782
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